In instances of financial stress — the Great Depression, the 2008 international monetary disaster — the thought is that spending on small, escapist luxuries like cinemagoing, rises. This yr is totally different.

Unsure the best way to collect audiences, festival after exhibition after live performance have been felled by the coronavirus outbreak, from the Venice Biennales — postponed to 2021 and 2022 — to the Cannes Film Festival, which was held purely on-line.

Against the odds, the Tokyo International Film Festival will open on Saturday, with over 100 movies scheduled throughout 4 areas. “We wanted to allow people to see films on a big screen, with good sound,” festival chairman Hiroyuki Ando instructed Nikkei Asia. “We want to bring people to see films together.”

Just a few coincidences have made this doable. Spared the stricter lockdowns which have shutdown cities elsewhere, Tokyo’s leisure panorama is stirring again to life. The authorities has even allowed film theaters to open to 100% capability — unthinkable in the world’s film capital Los Angeles, the place COVID-19 circumstances have soared to round 300,000, or in South Asia’s Bollywood capital, Mumbai.

And as festivals overseas have been postponed or canceled, submissions have swelled for Tokyo — with the occasion receiving the decide of this yr’s cinema, together with 25 world premieres and 11 first directorial options.

Opening the festival is “Underdog,” which follows three younger males by means of the shadowy demimonde of boxing. Directed by Masaharu Take, the film is an eagerly awaited comply with-as much as his Netflix sequence “The Naked Director,” a wry have a look at the Japanese porn business that gained international acclaim. In “Underdog” Take takes on one other class of invisible strivers, pitting a fallen former No. 1 boxing champion, performed by dancer Mirai Morimoto, against a actuality TV contender and a reformed tearaway.


Takumi Kitamura, Mirai Moriyama and Ryo Katsuji, on the set of the “Underdog,” directed by Masaharu Take.

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Another filmmaker to observe is Koji Fukada, whose suspenseful “The Real Thing” positioned amongst 2020’s Cannes Official Selection, and has drawn hypothesis as Japan’s decide for finest international film nomination at the subsequent yr’s Academy Awards.


Win Morisaki and Kaho Tsuchimura star in Koji Fukada’s “The Real Thing,” the story of a stationery firm worker and a lady whose life he saves in a automobile accident.

  © Mochiru Hoshisato, Shogakukan/NagoyaTV

In a story with strains of latest noir, mediocrity-plagued younger man Kazumichi Tsuji, performed by Win Morisaki, an worker of a midsize stationery firm, encounters a lady whose life he saves in a automobile accident. She lies to the police and lays the blame for the accident on Tsuji. Rather than leaving the occasion in his previous, although, Tsuji turns into entangled with the lady, who steadily introduces chaos into his in any other case placid life.

Other excessive-profile worldwide movies embrace “Portrait of a Lady on Fire” from France, and “Nomadland” from the U.S. Festival organizers famous a robust displaying of highly effective movies that take care of immigration, together with the multinational “The Man Who Sold His Skin,” “The Bike Thief” from the U.Ok., and several other entries displaying feminine views on life, amongst them “The Old Town Girls” from China, and Japan’s “Eternally Younger Than Those Idiots.”


Noemie Merlant stars in “Portrait of a Lady on Fire,” a French historic romantic drama film written and directed by Celine Sciamma.

  © Lilies Films

TIFF organizers started strategizing on whether or not the festival ought to go forward as early as March, mentioned Ando. Without the crowds that ought to have been lingering in Tokyo following the now delayed 2020 Olympics, a closing determination not taken till August.

Staff members could have their temperatures taken on daily basis, carrying a wristband as proof of a temperature under 37.5 levels; viewers members shall be requested to go away seats between them vacant if doable at sure theaters; doorknobs and handles shall be continually disinfected. The venues will use air conditioners that usher in air from the exterior relatively than recirculating indoor air.

The festival runs at numerous areas in Tokyo by means of Nov. 9.